
In the open-air cinema-like scenery domestic rock bands get time for a short movie clip each, linked by an also short musical frame-play. Each of the altogether eighteen clips is a whole film etude playing with visual-lingual associations, film ideas, revealing the back-thought of the songs, and on the whole sometimes melancholicly, sometimes ironically the hopeless, sad picture of the era can be distinguished.
Péter Tímár
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